Search found 2313 matches
- Sat Jan 23, 2016 12:03 pm
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Havi, primarily I use Sunshine series that I mix myself with micas. I usually work in a single firing. Often I can get away with a single firing that vitrifies the paint and does a slump. Most often I am reverse painting and firing paint side down, so the painting comes out under glass. I like to us...
- Thu Jan 21, 2016 7:50 pm
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Havi, I have been screen printing enamels on glass for some 30 years and I have found out that the glass enamel itself is only a small part of the overall complications. I started out as a printmaker too and have found that the complications of screen printing on glass are many. Your screening tech...
- Thu Jan 21, 2016 5:01 pm
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Bert, I think I have some Samba powders, which I also bought there. I was told that I could mix it with BE powders, in order to enhance the BE colors, Do you know anything about it??? Thanks Havi Havi, my information might not be correct. I don't really know. Ferro does manufacture in Europe. Beats...
- Thu Jan 21, 2016 11:03 am
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Thank you Bert, I bought Colorline paints from their manufacturer, who is CREATIVE GLASS in Volketswil Switzerland, near Zurich. Perhaps they have some agreement with BE -behind the curtains. I bought the paints directly form them, as I took several classes there. I know them, and they know me, the...
- Thu Jan 21, 2016 10:46 am
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Thank you Bert, I bought Colorline paints from their manufacturer, who is CREATIVE GLASS in Volketswil Switzerland, near Zurich. Perhaps they have some agreement with BE -behind the curtains. I bought the paints directly form them, as I took several classes there. I know them, and they know me, the...
- Wed Jan 20, 2016 8:12 pm
- Forum: Techniques and Tools
- Topic: firing schedules for powder enamels on large pieces
- Replies: 11
- Views: 17274
Re: firing schedules for powder enamels on large pieces
I am probably driving you crazy, I think the paints I used were fuse master, not Thompson. would the above work with them too. Sorry :( Fusemaster is entirely different. Their colors are a clear glass frit mixed with metallic oxides. They do not generally do well when applied as powder. They are de...
- Wed Jan 20, 2016 8:08 pm
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Bert, Thanks for your response. However, I can not understand how do know that I am applying a too thick layer of ink????????????????? I wonder. On the contrary, being a printmaker, and my experience as such - I have the feel of how much ink should be applied. I do not know anything about Ferro col...
- Wed Jan 20, 2016 11:16 am
- Forum: Techniques and Tools
- Topic: not fusing flat
- Replies: 9
- Views: 14001
Re: not fusing flat
i'm fusing sheets of the same glass and same COE, so there shouldnt be any issues there (if I understand correctly). The one time I had a warp, it was with a single sheet of 10mm thick float glass. The problem was caused by too big a gap between bricks that surround my kiln. I refired it with the b...
- Wed Jan 20, 2016 10:54 am
- Forum: Techniques and Tools
- Topic: firing schedules for powder enamels on large pieces
- Replies: 11
- Views: 17274
Re: firing schedules for powder enamels on large pieces
Thompson makes many different lines of enamels, all of which are ground colored glass frits, compatible with different substrates including different glasses. Once the layer of enamel is thick enough, incompatibility will cause cracking. On every single glass fusion project, you can fire as fast as ...
- Wed Jan 20, 2016 10:45 am
- Forum: Techniques and Tools
- Topic: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
- Replies: 33
- Views: 44952
Re: WORKING WITH LIQUID ENAMELS OR GLASS PAINTS
Havi, you are applying too thick a coating. This causes the orange peel effect or cracking and volcano effect. (thinking about it I think orange peel is caused by under firing) These colors are really strong. Color line are really Ferro Samba series. These are similar to the Ferro Sunshine series bu...
- Fri Jan 15, 2016 1:18 pm
- Forum: Techniques and Tools
- Topic: not fusing flat
- Replies: 9
- Views: 14001
Re: not fusing flat
thank you all for your comments. All great ideas, which I will try. I can't fuse it to too high of a temp because I can't have the pieces round out too much. But perhaps a little higher temp will work. And I will check to make sure my kiln shelfs are flat. And try to hold at 1100 on the way down. B...
- Thu Jan 14, 2016 4:20 pm
- Forum: Techniques and Tools
- Topic: not fusing flat
- Replies: 9
- Views: 14001
Re: not fusing flat
There are various reasons why glass might warp. A simple one that can't be fixed is a compatibility issue where the top and bottom layers are contracting at different rates. The only thing you can do there is configure it differently. I have seen glass warp when there was a gap between bricks in my ...
- Thu Jan 14, 2016 4:15 pm
- Forum: Techniques and Tools
- Topic: Stainless Steel for molds?
- Replies: 15
- Views: 36647
Re: Stainless Steel for molds?
Bert, don't you mean that ss shrinks more than glass, thus the potential of a ss mold trapping the glass? I've not has a problem unless the ss mold is a full hemisphere. Yes Nikki. I have many drafted ss molds that work fine. The glass is able to ride up, and does;t get stuck. I also have hemispher...
- Mon Jan 11, 2016 12:38 pm
- Forum: Newcomer Forum
- Topic: CONCAVITY in a VERMICULITE board
- Replies: 5
- Views: 10449
Re: CONCAVITY in a VERMICULITE board
I once repaired a refractory cement bowl mold using putty I made with vermiculite board dust. The first attempt at fixing the mold was with kiln wash. That didn't work. The putty worked real slick. So, whatever works...
- Sun Jan 10, 2016 2:19 pm
- Forum: Techniques and Tools
- Topic: Vermiculite shelves source
- Replies: 2
- Views: 5003
Re: Vermiculite shelves source
A great source for vermiculite boards is Jim Wiles in Charlotte NC
http://www.southernserviceco.com
http://www.southernserviceco.com
- Sun Jan 10, 2016 2:10 pm
- Forum: Newcomer Forum
- Topic: CONCAVITY in a VERMICULITE board
- Replies: 5
- Views: 10449
Re: CONCAVITY in a VERMICULITE board
You can use some coarse sandpaper and make v-board dust. Mix it with rigidizer to make a putty and fill in any holes.
- Mon Jan 04, 2016 10:03 pm
- Forum: Techniques and Tools
- Topic: Clouding on float and plate glass
- Replies: 8
- Views: 15805
Re: Clouding on float and plate glass
There is a good possibility some glass is shitty, others not so much...
- Mon Jan 04, 2016 11:23 am
- Forum: Techniques and Tools
- Topic: Clouding on float and plate glass
- Replies: 8
- Views: 15805
Re: Clouding on float and plate glass
The painted pieces didn't fog. They should have fogged. Maybe I cleaned them too well. No conclusions yet. Guess I'll try a piece that has only been cleaned with dish soap. If it doesn't fog, I'll find something more productive to worry about. Paint is an overglaze which provides a different surfac...
- Fri Jan 01, 2016 1:26 pm
- Forum: Photos and Stuff
- Topic: Xmas Suncatcher
- Replies: 8
- Views: 15634
Re: Xmas Suncatcher
Merry New Year!
- Mon Dec 28, 2015 7:26 pm
- Forum: Techniques and Tools
- Topic: Clouding on float and plate glass
- Replies: 8
- Views: 15805
Re: Clouding on float and plate glass
That stuff doesn't happen to me. First, I never fire thinner glass than 6mm, and usually 10mm. I do routinely paint vitreous colors (mixed with Micas) on the tin side, then fire to 1420' paint side down.