Search found 183 matches

by Tom Fuhrman
Sat Aug 03, 2013 8:34 am
Forum: Techniques and Tools
Topic: Sander Belts
Replies: 7
Views: 7984

Re: Sander Belts

Salem Distributing , in N.C. is where I used to get mine.
by Tom Fuhrman
Fri Aug 02, 2013 3:08 pm
Forum: Newcomer Forum
Topic: Ceramic Gas kiln
Replies: 7
Views: 7763

Re: Ceramic Gas kiln

I've seen several older gas fired glass decorating kilns. The gas can work, it just takes a lot of experimentation until you understand the intricacies of your equipment. Many of the larger glass decorators used gas kilns for many years and a lot of the large bent glass companies used them as well. ...
by Tom Fuhrman
Fri Aug 02, 2013 3:00 pm
Forum: Techniques and Tools
Topic: polishing using dremel tool
Replies: 7
Views: 22181

Re: polishing using dremel tool

find a second hand potter's wheel and convert it over to use for different grits and use the foot speed control to adjust the speed depending on what grit you are using. You can cut steel circles to affix to it and peel them off and change them as you progress thru the grits. It's a good answer to a...
by Tom Fuhrman
Thu Aug 01, 2013 1:04 pm
Forum: Newcomer Forum
Topic: full fuse disaster
Replies: 15
Views: 22903

Re: full fuse disaster

It sounds like this was the 4th firing for this piece and it had gone thru a lot of stress and development thru all this. In my experience, I've found that the more times you fire a piece the more likely you are to have problems. Glass changes each time you melt it. Some glasses will even change the...
by Tom Fuhrman
Fri Jul 26, 2013 1:31 pm
Forum: Techniques and Tools
Topic: Wet Belt Sanders
Replies: 8
Views: 10821

Re: Wet Belt Sanders

I never bought diamond belts. I found that as I used the 80 grit it became smoother and ultimately it became about a 220 grit. Silicone Carbide belts are relatively cheap and if you need to they can be recoated if you have a lot of them. I have had belts get torn up many times and I would be very up...
by Tom Fuhrman
Thu Jul 25, 2013 10:41 am
Forum: Business Topics
Topic: East Coast US/Canada suppliers
Replies: 4
Views: 7487

Re: East Coast US/Canada suppliers

the ones Marty mentioned are good and I've also used Art Glass House in Fl to go overseas. depends on how much you want and when. Prices can vary a lot. Finding the right consolidater/broker that can put it in their container is the real quest.
by Tom Fuhrman
Thu Jul 25, 2013 10:37 am
Forum: Techniques and Tools
Topic: Wet Belt Sanders
Replies: 8
Views: 10821

Re: Wet Belt Sanders

Try and find a used older Somaca. They were the tried work horses of the flat glass industry for the last 50 years. The old ones are almost impossible to destroy and most parts are still available. There are 100's and maybe 1000's of them still going strong.
by Tom Fuhrman
Tue Jul 23, 2013 4:45 pm
Forum: Business Topics
Topic: who pays de postage?
Replies: 11
Views: 15516

Re: who pays de postage?

Actually, I began my glass sales in a small gallery, some years ago. I had under $100 worth of work in the place and all went well for 6 months or so. Then one day I went by and poof, they were gone. So maybe that's part of my lack of excitement about being in galleries. being in the "wholesal...
by Tom Fuhrman
Sat Jul 20, 2013 9:15 am
Forum: Techniques and Tools
Topic: INLAND LAPIDARY SwapTop All-In-Wonder 8" TRIM SAW, FLAT LAP,
Replies: 10
Views: 17717

Re: INLAND LAPIDARY SwapTop All-In-Wonder 8" TRIM SAW, FLAT

my experience is that multi purpose machines always leave a lot to be expected and quality of all the functions is compromised, be it glass, wood, metal or anything. I love my 1940's Somaca 24" laps and my MK 10" diamond saw. Lots of the really old stuff is so much better than any of the n...
by Tom Fuhrman
Fri Jul 19, 2013 9:58 am
Forum: Business Topics
Topic: who pays de postage?
Replies: 11
Views: 15516

Re: who pays de postage?

Kevin is correct in many cases, but if you are talking about really true glass galleries, there are few that are going to buy items outright that are over $500. A few will but I can assure you that to have a decent representation of your wares at a good gallery requires they have a good display of y...
by Tom Fuhrman
Fri Jul 12, 2013 2:12 pm
Forum: Techniques and Tools
Topic: making frit & powders?
Replies: 12
Views: 16775

Re: making frit & powders?

Been making my own frit for over 30 years and never had a problem with any metal. You've just got to use very hard metals, tool steel, for busting things up. Have friend that has made over 200,000 paperweights over the last 20 years that has made all his own frit and has a large commercial crusher t...
by Tom Fuhrman
Fri Jul 12, 2013 1:57 pm
Forum: Techniques and Tools
Topic: making frit & powders?
Replies: 12
Views: 16775

Re: making frit & powders?

to go even further off topic- Jim- your tag reminds me of the ditty I sing when driving: "This lane is my lane, that lane is your lane, stay out of my lane, I'll stay out of yours. The double yellow, will keep us mellow. Keep the f--- out of my lane." Marty: love it. Are there any verses ...
by Tom Fuhrman
Mon Jun 24, 2013 8:43 pm
Forum: Techniques and Tools
Topic: Tempering Bullseye Glass
Replies: 16
Views: 15797

Re: Tempering Bullseye Glass

turn it into laminated panels and forget the tempering. IMHO laminating is better and safer than tempering anyway,
by Tom Fuhrman
Thu Jun 20, 2013 10:01 am
Forum: Art, philosophy, and content
Topic: Drive.
Replies: 3
Views: 7678

Re: Drive.

no one ever said it was easy!. " keep slugging away"
Why should you be any different than the rest of us. "sweat & tears"
by Tom Fuhrman
Tue Jun 18, 2013 10:28 am
Forum: Business Topics
Topic: Craft shows
Replies: 7
Views: 11606

Re: Craft shows

It's all about design. If you have little background in art and design it makes no difference that you have the knowledge and skills for doing the fusing, casting, etc. Being able to produce and design items that will sell and are marketable at different price levels is what can make the difference....
by Tom Fuhrman
Tue Jun 18, 2013 10:13 am
Forum: Techniques and Tools
Topic: Texture molds,
Replies: 6
Views: 6849

Re: Texture molds,

since you're in southern CA, contact Laguna clays and tell them what you are attempting to achieve and see what they recommend. I've just used a stoneware clay body for mine. you can roll it out with a large dowel rod or rolling pin and then just impress whatever texture into it you choose. lots of ...
by Tom Fuhrman
Tue Jun 11, 2013 6:12 pm
Forum: Jewelry Making
Topic: dichroic glass having flecks come off in firing
Replies: 11
Views: 20581

Re: dichroic glass having flecks come off in firing

If you have a lab that can actually offer a service that is well calibrated and and can hold standards consistent, they may be willing to work with you. There are so many uses and so many different applications for using their materials that I'm certain they can't start to begin to test all the diff...
by Tom Fuhrman
Mon Jun 10, 2013 7:15 pm
Forum: Jewelry Making
Topic: dichroic glass having flecks come off in firing
Replies: 11
Views: 20581

Re: dichroic glass having flecks come off in firing

I would suggest that some of you visit one or more of the factories that produce this stuff and see what some of the variables are that are very difficult to control. controling the temps of the individual sheet of glass is difficult and many times there are multiple sheets done in one chamber and g...
by Tom Fuhrman
Sat Jun 08, 2013 9:56 am
Forum: Techniques and Tools
Topic: Ceramic kilns
Replies: 6
Views: 7752

Re: Ceramic kilns

I've been using ceramic kilns for the last 40 years, before any glass electric glass kilns were produced and before any controllers were available. Have many thousands of items this way. You just have to learn what your equipment will do in different situations and then adjust it to get the results ...
by Tom Fuhrman
Wed Apr 17, 2013 12:43 pm
Forum: Art, philosophy, and content
Topic: Color
Replies: 13
Views: 19436

Re: Color

check out these books on color:, Interaction of Color by Josef Albers ISBN 0-300-01846-0
The Elements of Color by Johannes Itten ISBN 0-442-24038-4.
These guys were from the Bauhaus and did some of this work in the early 20th century.