I fired four pieces of float last night. All pieces were cut from the same sheet. The enamels came out of the same jars.
Two of the pieces ended up with some different colors than the other pair -- with some darker, brownish shades that seem like obvious color reactions.
The only explanation I can come up with is two pieces got flipped and I'm seeing a reaction with the tin.
So my questions are:
1) anyone have another possible explanation?
2) is lightly sandblasting the surfaces a way to avoid this?
3) what's the best deal on a fluorescent light to detect the tin side?
Thanks,
Paul
Float, enamels and tin
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1. no
2. I don't think so.
3. Buy a cheap flourescent light that uses a 6" tube and remove any plastic lens over the tube. Buy a 6" shortwave UV lamp tube. They are called germicidal lamps. Put your new tube in your new light and shine it along the face of the glass you are using pointed away from your face while wearing sunglasses in a dark room. The tin side of the glass will have a slightly foggy look to it while the air side will not. Keep your exposure to the shortwave UV light to a minimum. It is bad for skin and worse for eyes.
Best wishes,
Tom in Texas
2. I don't think so.
3. Buy a cheap flourescent light that uses a 6" tube and remove any plastic lens over the tube. Buy a 6" shortwave UV lamp tube. They are called germicidal lamps. Put your new tube in your new light and shine it along the face of the glass you are using pointed away from your face while wearing sunglasses in a dark room. The tin side of the glass will have a slightly foggy look to it while the air side will not. Keep your exposure to the shortwave UV light to a minimum. It is bad for skin and worse for eyes.
Best wishes,
Tom in Texas
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Re: Float, enamels and tin
PaulPaul Tarlow wrote:I fired four pieces of float last night. All pieces were cut from the same sheet. The enamels came out of the same jars.
Two of the pieces ended up with some different colors than the other pair -- with some darker, brownish shades that seem like obvious color reactions.
The only explanation I can come up with is two pieces got flipped and I'm seeing a reaction with the tin.
So my questions are:
1) anyone have another possible explanation?
2) is lightly sandblasting the surfaces a way to avoid this?
3) what's the best deal on a fluorescent light to detect the tin side?
Thanks,
Paul
It sounds like tin to me. Tin makes a brownish color.
A company called UVP makes the short wave UV flashlight. They sell for about $40. I believe that HIS glassworks sells them now. I have seen the exact same light for as much as $180 (Bohle special ordered).
My light comes with a purple filter. The purple filter makes it MUCH easier to see the white glow from the tin. I have tried to go with a cheaper solution, but to me the UVP light is the ticket.
Bert
Bert Weiss Art Glass*
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Re: Float, enamels and tin
Thanks Bert. Couldn't find it a Hisglassworks. Is this the one your are referring to:Bert Weiss wrote:Paul
It sounds like tin to me. Tin makes a brownish color.
A company called UVP makes the short wave UV flashlight. They sell for about $40. I believe that HIS glassworks sells them now. I have seen the exact same light for as much as $180 (Bohle special ordered).
My light comes with a purple filter. The purple filter makes it MUCH easier to see the white glow from the tin. I have tried to go with a cheaper solution, but to me the UVP light is the ticket.
http://www.mamasminerals.com/Merchant2/ ... ode=EQUUVL
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Just got mine
I just got mine from Mamas Minerals for 49 and it is fantastic!! No need to pull off any filter
Richard
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Paul,
I've got the filters that uvp uses in their lights. In fact, I supply them. If you want to make your own I'll send you a piece. Glass is Corning/Kopp 9863 UV transmitting/ visible absorbing. It's very dense in color & you need a pretty intense light source to get any light through it. Let me know.
Robert
I've got the filters that uvp uses in their lights. In fact, I supply them. If you want to make your own I'll send you a piece. Glass is Corning/Kopp 9863 UV transmitting/ visible absorbing. It's very dense in color & you need a pretty intense light source to get any light through it. Let me know.
Robert
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Thanks -- I went ahead and order one of the $40 jobs from Mammascooterr309 wrote:Paul,
I've got the filters that uvp uses in their lights. In fact, I supply them. If you want to make your own I'll send you a piece. Glass is Corning/Kopp 9863 UV transmitting/ visible absorbing. It's very dense in color & you need a pretty intense light source to get any light through it. Let me know.
Robert
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Re: Float, enamels and tin
That's it.Paul Tarlow wrote:Thanks Bert. Couldn't find it a Hisglassworks. Is this the one your are referring to:Bert Weiss wrote:Paul
It sounds like tin to me. Tin makes a brownish color.
A company called UVP makes the short wave UV flashlight. They sell for about $40. I believe that HIS glassworks sells them now. I have seen the exact same light for as much as $180 (Bohle special ordered).
My light comes with a purple filter. The purple filter makes it MUCH easier to see the white glow from the tin. I have tried to go with a cheaper solution, but to me the UVP light is the ticket.
http://www.mamasminerals.com/Merchant2/ ... ode=EQUUVL
Bert
Bert Weiss Art Glass*
http://www.customartglass.com
Furniture Lighting Sculpture Tableware
Architectural Commissions
Bert Weiss Art Glass*
http://www.customartglass.com
Furniture Lighting Sculpture Tableware
Architectural Commissions